The reviews are in!

After months of hard-work from an immensely talented team, we’re feeling incredibly proud that Wise Children has been so well received and that the reviewers have loved the show as much as we do.

We’re at The Old Vic until 10 November and then touring until April 2019 so there are plenty of opportunities to see the show and make up your own mind, but until you do – allow us to sway you:

‘Fantastic. Life-enhancing, brilliantly uninhibited, all-singing and dancing… Stars? I’m not sure why you would stop at five.’ ★★★★★

The Observer

‘An explosion of theatrical glee’ ★★★★

The Times 

‘It is a spectacular show, distilling the carnivalesque spirit of the book… Rice’s relaunch is a splashy one, celebrating the sheer razzle-dazzle of a life in theatre.’ ★★★★

The Guardian

‘One huge love letter to theatre’ ★★★★

The Stage

‘Glorious. It’s great to be back on Planet Rice’ ★★★★

Time Out

‘An exuberant celebration of theatre’ ★★★★

Financial Times

‘It’s pure, unadulterated theatre with an airtight company, subject, direction, and production. Rice not only blind-casts the whole piece, but single-handedly gives a masterclass on how to play with gender.’ ★★★★★

Broadway World

‘Emma Rice does justice to the verve and racy humour of Carter’s writing… tinged with melancholy yet joyous and inventive.’ ★★★★

Evening Standard

‘Bonkers but brilliant, a very English Rice pudding’ ★★★★

Daily Mail

‘It’s impossible not to be enchanted’ ★★★★

Radio Times

‘Rice honours perfectly the dark enchantments of Carter’s imagination with this carnival-esque tribute to theatre as a substitute family.’ ★★★★

Metro

WhatsOnStage Awards – we need your help!

These are the only major theatre awards in which you, the audience, are the judges across all categories, so take this opportunity to use your voice and cheer loudly for Wise Children!

As a brand new company launching our first show, it would mean the world to us to win in any of the categories, but as an ensemble production we think we’re particularly applicable for:

  • Best New Play: Wise Children
  • Best Director: Emma Rice
  • Best Costume Design: Vicki Mortimer
  • Best Set Design: Vicki Mortimer
  • Best Lighting Design: Malcolm Rippeth

Head to https://awards.whatsonstage.com to have your say.  Then help spread the word using #WOSAwards #WiseChildren.
Nominations close at the end of November so don’t hang around.
Thank you!

 

Podcast Episode 6 – Previews

It’s preview week for Wise Children at The Old Vic, and Emma talks to the company backstage as they get ready for a performance after a day of rehearsals. She finds out how they prepare for each show, how they keep going in this demanding period before press night – while they’re performing every evening and continuing to work during the day – and what it’s like to finally put the piece in front of an audience.

Hosted by Emma and featuring The Wise Children Company.

You can find it where ever you get your Podcasts.

Podcast Episode 5 – Tech Week

After all the planning, we’ve moved into London’s Old Vic to prepare for the opening of our first show: Angela Carter’s Wise Children.

This week, while the actors take a well earned day off, Emma bothers everyone in the auditorium and asks them what they do.  We meet the creative and technical teams as they prepare for the start of technical rehearsals and get ready for the Dress Rehearsal.

Hosted by Emma and featuring Wise Children’s Creative and Technical Teams including Cath Bates, Vicki Mortimer, Malcolm Rippeth, Simon Baker, Lucy Martin, Lizzie Frankl, Steph Curtis and Charlie Smalley.

You can find it on iTunes and everywhere else you get your Podcasts.

We’re In Previews

We could not be more proud. The show marks the beginning of Wise Children as a company, the start of an exciting new chapter for Emma Rice and her collaborators, and the culmination of many months of hard work by a stellar creative and production team.

Wise Children is an adaptation of Angela Carter’s last novel, which is in itself a tender love letter to the theatre. And it’s timely: a story about the strength and agency of women, told by a diverse cast, the show is already resonating with audiences and provoking discussion.

We are giddy with excitement and overwhelmed by the outpouring of love and support from our audiences so far, and hope many more of you will join us over the coming months. The show remains at The Old Vic, where Wise Children is Resident Company, until 10th November and then begins a UK tour.

Enormous thanks go out to all our producing partners, collaborators, supporters and members of the Wise Children Club. Without you this journey would not have been possible.

Podcast episode 4: The Hut by the Harbour

 

The fourth episode of our podcast, Wise Children’s Detention, is now available on podbean, Itunes and other podcast platforms.

This week Emma talks to artists Beth Carter & Stuart Mitchell, about the animation they’ve created for Wise Children’s production of Wise Children.

The animation takes Nora and Dora Chance from Brixton to Chelsea, from the wrong side of tracks to legitimacy, as they attend Melchior Hazard’s 100th birthday party.

The animation is also a carefully considered solution to a pivotal and tricky moment in the production, and Emma discusses how she makes these kinds of choices when staging a show.

Wise Children opens at The Old Vic next week, and tickets are on sale now for performances at: The Old Vic, London, Oxford Playhouse, Cambridge Arts Theatre, Bristol Old Vic, HOME ManchesterYork Theatre Royal, Storyhouse Chesterand Belgrade Theatre Coventry

Episode 3 of Wise Children’s podcast is available now

 

 

The third episode of Wise Children’s Detention, our new podcast, is now available on podbean, Itunes and other platforms.

This week Emma talks to the Wise Children producing team, Judith Dimant, Poppy Keeling and Matt Lister and asks them to explain how a theatre company works.  Recorded at Ashton Court, Bristol, and set against a backdrop of the early stages of rehearsal for Wise Children, this episode is a warts-and-all insight into how theatre gets made.